VOL. XCIV, NO. 247

★ WIDE MOAT STOCKS & COMPETITIVE ADVANTAGES ★

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Wednesday, January 7, 2026

Live Nation Entertainment, Inc.

LYV · New York Stock Exchange

Market cap (USD)$33.7B
SectorCommunication Services
IndustryEntertainment
CountryUS
Data as of
Moat score
84/ 100

Weighted average of segment moat scores, combining moat strength, durability, confidence, market structure, pricing power, and market share.

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Overview

Live Nation is a global live entertainment company with three reported segments: Concerts, Ticketing (Ticketmaster), and Sponsorship & Advertising. The core moat is distribution scale - hundreds of owned/operated/controlled venues and festivals plus a global promoter organization - combined with Ticketmaster's multi-year (often exclusive) venue contracts and marketplace scale. Sponsorship monetizes the same inventory through packaged multi-venue programs and multi-year agreements. Key risks are antitrust/consumer-protection regulation (DOJ case filed May 23, 2024; FTC case filed Sept 18, 2025), artist bargaining power, event-safety shocks, and venue self-ticketing or competitive ticketing wins.

Primary segment

Concerts

Market structure

Oligopoly

Market share

55%-65% (reported)

HHI: 3,600

Coverage

3 segments · 6 tags

Updated 2026-01-04

Segments

Concerts

Live music concert promotion, festival production, and music venue operations

Revenue

82.2%

Structure

Oligopoly

Pricing

moderate

Share

55%-65% (reported)

Peers

EVD.DEMSGE

Ticketing

Primary ticketing platforms for live events (with emphasis on major concert venues)

Revenue

12.9%

Structure

Quasi-Monopoly

Pricing

strong

Share

80%-90% (reported)

Peers

EBSEATEVD.DE

Sponsorship & Advertising

Live-event sponsorship and advertising inventory (venues, festivals, digital properties)

Revenue

5.2%

Structure

Competitive

Pricing

moderate

Share

Peers

MSGESPHR

Moat Claims

Concerts

Live music concert promotion, festival production, and music venue operations

Oligopoly

Physical Network Density

Supply

Strength

Durability

Confidence

Evidence

Large controlled venue footprint (owned/operated/leased/equity plus exclusive booking rights) improves routing, date availability, and per-fan monetization (parking, concessions, premium).

Erosion risks

  • Antitrust remedies forcing venue or promoter divestitures
  • New venue capacity reduces scarcity and bargaining leverage
  • Artist/agent leverage captures a larger share of economics

Leading indicators

  • Count of venues under ownership/operation/long-term lease/exclusive booking
  • Venue-level margin trend (concessions/parking/premium)
  • Renewal rates for venue rights and leases

Counterarguments

  • Local promotion can have low barriers; competitors can rent the same third-party venues
  • Artists can multi-home across promoters and extract most tour economics

Service Field Network

Supply

Strength

Durability

Confidence

Evidence

Global promoter footprint and artist relationships help secure tours, coordinate routing, and execute marketing/production at scale.

Erosion risks

  • Rival promoters/venue operators (e.g., AEG) bid aggressively for tours and festivals
  • Artists shift to shorter-term deals or direct-to-fan models
  • Public incidents (safety, pricing controversies) damage venue/artist willingness to partner

Leading indicators

  • Events promoted per year
  • Gross margin and AOI per attendee
  • Share of top-grossing tours and festivals

Counterarguments

  • Promoter economics are talent-driven; top artists can play promoters against each other
  • Technology and marketing capabilities are increasingly replicable

Ticketing

Primary ticketing platforms for live events (with emphasis on major concert venues)

Quasi-Monopoly

Long Term Contracts

Demand

Strength

Durability

Confidence

Evidence

Venue and promoter clients are contracted for multi-year terms (often 3-5 years), and many venue agreements are exclusive for primary ticketing, reducing churn and limiting rival access.

Erosion risks

  • Antitrust remedies (limits on exclusivity, structural separation, conduct restrictions)
  • Venues adopt self-ticketing or switch to competitors (AXS, SeatGeek, others)
  • Consumer protection rules constrain fee disclosures and resale practices

Leading indicators

  • Major venue contract renewal win-rate
  • Average contract length / prevalence of exclusivity clauses
  • Regulatory/court milestones in DOJ and FTC cases

Counterarguments

  • Exclusive contracts can attract regulatory scrutiny and may be curtailed
  • Venues set service fees and often retain a large portion of them, limiting direct pricing control

Two Sided Network

Network

Strength

Durability

Confidence

Evidence

Large installed base of venues/promoters plus high consumer demand flows through Ticketmaster's marketplace, reinforcing distribution scale and marketing reach.

Erosion risks

  • Consumers multi-home across apps/marketplaces (network effects weaker than social networks)
  • Major tours experiment with alternative distribution or identity-based ticketing
  • Service outages or poor UX reduce consumer trust and client retention

Leading indicators

  • Fee-bearing tickets sold
  • Active ticketing clients
  • App/website engagement during major onsales

Counterarguments

  • Network effects are limited if consumers search across multiple platforms and resale markets
  • Large venues can shift demand by choosing a different primary ticketer

Data Workflow Lockin

Demand

Strength

Durability

Confidence

Evidence

Venue operations often rely on Ticketmaster systems (box office, season tickets, scanning/settlement), making switching a complex operational and data-migration project.

Erosion risks

  • Modern SaaS ticketing platforms reduce implementation friction
  • API standardization and data portability reduce lock-in
  • Regulators mandate interoperability or multi-ticketing

Leading indicators

  • Client churn and competitive wins/losses
  • Time-to-deploy for new venues (implementation cycle length)
  • Use of multi-ticketing or secondary providers by venues

Counterarguments

  • Switching costs are episodic (implementation projects) rather than permanent
  • Large venues have resources to re-platform if economics justify it

Sponsorship & Advertising

Live-event sponsorship and advertising inventory (venues, festivals, digital properties)

Competitive

Scope Economies

Supply

Strength

Durability

Confidence

Evidence

Ability to package national/international sponsorships across multiple venues and festivals (multi-venue branding) increases value versus single-venue operators.

Erosion risks

  • Brands shift budgets toward digital/social platforms with better targeting
  • Economic downturn reduces discretionary marketing spend
  • Competing inventory from sports leagues and streaming platforms

Leading indicators

  • Sponsorship renewal rates and backlog
  • Number of sponsors and average deal size
  • Yield per event/venue (pricing per activation/signage)

Counterarguments

  • Advertisers can replicate reach via sports sponsorships and digital media buys
  • Campaign measurement/attribution may favor digital channels over live-event inventory

Physical Network Density

Supply

Strength

Durability

Confidence

Evidence

Large owned/operated venue and festival network creates scarce on-site activation and naming-rights inventory at scale.

Erosion risks

  • Venue/festival mix shifts away from in-person events
  • New competing venues/festivals expand alternative inventory
  • Regulatory/permit constraints on new festivals and venue expansions

Leading indicators

  • Number of venues/festivals under control
  • Utilization (events per venue / attendance)
  • Sponsorship revenue per attendee

Counterarguments

  • Inventory is not unique in many markets; local venues can offer substitutes
  • Sponsor ROI depends on artist lineup and attendance, which varies annually

Long Term Contracts

Demand

Strength

Durability

Confidence

Evidence

Multi-year sponsorship agreements provide revenue visibility and reduce annual re-selling friction; backlog of contracted future benefits supports durability.

Erosion risks

  • Sponsors renegotiate or exit deals in recessions
  • Brand safety concerns from event incidents
  • Measurement challenges reduce willingness to sign long-term commitments

Leading indicators

  • Contracted sponsorship backlog trend
  • Churn/renewal rates among top sponsors
  • Mix of multi-year vs single-year deals

Counterarguments

  • Even multi-year deals are discretionary and can be renegotiated
  • Sponsor demand depends on touring volume and cultural relevance

Evidence

sec_filing
Live Nation Entertainment, Inc. Form 10-K (FY ended 2024-12-31) - Distribution Network

394 venues globally

A large venue network (including exclusive booking rights) supports a physical distribution advantage in live events.

regulation
U.S. DOJ press release - Live Nation-Ticketmaster antitrust lawsuit (venue footprint claim)

owns or controls more than 265 concert venues

Regulators allege Live Nation has extensive venue control in North America (litigation claim; not adjudicated).

sec_filing
Live Nation Entertainment, Inc. Form 10-K - Competitive strengths (Concerts)

artist relationships; global footprint

Management explicitly cites artist relationships and global footprint as competitive strengths.

sec_filing
Live Nation Entertainment, Inc. Form 10-K - Concerts segment overview

more than 54,000 events

High event volume is consistent with a scaled service organization and repeat relationships across artists/venues.

sec_filing
Live Nation Entertainment, Inc. Form 10-K (XBRL) - Segment revenue share (2024)

82.2% of consolidated revenue

Concerts represented ~82% of consolidated revenue in 2024, indicating the segment scale.

Showing 5 of 21 sources.

Risks & Indicators

Erosion risks

  • Antitrust remedies forcing venue or promoter divestitures
  • New venue capacity reduces scarcity and bargaining leverage
  • Artist/agent leverage captures a larger share of economics
  • Rival promoters/venue operators (e.g., AEG) bid aggressively for tours and festivals
  • Artists shift to shorter-term deals or direct-to-fan models
  • Public incidents (safety, pricing controversies) damage venue/artist willingness to partner

Leading indicators

  • Count of venues under ownership/operation/long-term lease/exclusive booking
  • Venue-level margin trend (concessions/parking/premium)
  • Renewal rates for venue rights and leases
  • Events promoted per year
  • Gross margin and AOI per attendee
  • Share of top-grossing tours and festivals
Created 2026-01-04
Updated 2026-01-04

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